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Brick Lane

Country: united_kingdom

Year: 2008

Running time: 101

IMDB: http://www.imdb.com/title/tt0940585/

Michael says: “Based on an internationally best-selling novel, BRICK LANE explores a plethora of theme including the nature of love, the Muslim community in Britain after 9/11, the empowerment of Indian women, and much more. Sarah Gavron, whose little seen in the U.S. made for UK television film THIS LITTLE LIFE earned a Chlotrudis spotlight a few years ago, follows up with this accomplished, multi-layered first feature which has already been picked up for U.S. distribution and is surrounded by the kind of buzz any filmmaker would yearn for.

“As a child growing up in Bangladesh, Nazneen and her younger sister frolicked in the fields without a care in the world. When their mother commits suicide, Nazneed finds herself promised in marriage to an ‘educated man’ living in Britain. Shipped to London, the good village girl endures a submissive life in the Brick Lane neighborhood, a far cry from the color and splendor of her childhood memories. Her husband, Chanu, is a good man, but old-fashioned, expecting Nazneen to keep the household running while he supports the family, which includes two daughters. When Chanu resigns from his job over one too many missed promotions, Nazneen, driven by her desire to return to Bangladesh and the sister she left behind, begins working as a seamstress out of her home despite her husband’s misgivings. She is initially dismayed when Karim, the young man who delivers the clothing to her, catches her eye, but soon they embark on an ilicit affair, and Nazneen begins to explore the rapidly changing world beyond her apartment.

“Abi Morgan and Laura Jones’ adaptation of Monica Ali’s novel is a fine work as they pare down the many threads of the narrative managing to include a great many while spending just enough time on each. The cast is strong, including Tannishtha Chatterjee as Nazneen, whose solitary scenes must convey so much emotion without dialogue, and Satish Kaushik as Chanu who brings such complexity and dimension to a character who could have been painted in very broad strokes. Yet this is Gavron’s film as much as it is anyone’s, and it’s thrilling to see such an assured directorial hand in a first-time feature director. Magnificent editing, a cinematic eye, and deft musical choices contribute to a film that Gavron must surely be very proud of. 4 cats

 

 

 

Brick Lane

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