Jason says: “Given that THE FORBIDDEN ROOM wasn’t even really supposed to be a movie, you have to say it turned out pretty well. Conceived as a two-part multimedia project – the first half live ‘seances’ where Guy Maddin and
Jason says: “Winnipeg-based director Guy Maddin has never been anything less than unconventional, but some of his more recent efforts have met the mainstream halfway; they were peculiar films but the audience didn’t have to take up residence in Maddin’s
Michael says: “What a delightful evening in the Wintergarden theatre spent enjoying the world premiere of Guy Maddin’s pseudo-documentary MY WINNIPEG. Maddin was challenged by the Documentary channel to make a doc on his hometown of Winnipeg, and Maddin being
Beth says: “Guy Maddin. His latest, a semi-autobiographical silent film, with a live musical accompaniment, a narrator and a foley effects crew. Pretty much unmissable, really, even if I don’t always get Maddin – I love silent films shown with
Chris says: “If Guy Maddin’s most accessible effort, THE SADDEST MUSIC IN THE WORLD, failed to move you, I’m not even going to try to convince you to check out this hour-long film that was made roughly around the same
Bruce says: “This film is wildly innovative and original, a stunning success creatively speaking. It is unique. Filmed in fuzzy sepia and silver tones for the most part, the film lapses into moments of strange color, the returns to the
Michael says: “Guy Maddin is a talented and creative filmmaker. For his latest U.S. release, he has taken Mark Godden’s interpretation of Bram Stoker’s Dracula for the Royal Winnipeg Ballet and turned it into an beautifully eerie film with moments