Chlotrudis Monday Night at the Movies & Indie Film Round-Up, September 30 – October 6 ()

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Hello Everyone,

ThugIs there any question as to the Chlotrudis Monday Night at the Movies for next week? It’s our 6th Annual Short Film Festival, of course! Ten selections, including animation, experimental work, and international films will compete for the title of the Chlotrudis Society’s Best Short Film of the Year. Audiences members also vote for the Audience Award. As a special added treat, the festival will open and close with two U.S. Premiere short films by Canadian Chlotrudis fave, Don McKellar! Don’s films, Phone Call from an Imaginary Girlfriend: Ankara and Phone Call from an Imaginary Girlfriend: Istanbul will screen out of competition as a special Chlotrudis exclusive. (THUG, by Swampscott native Geva Patz is pictured left)

The festival begins at 7:30 p.m. at the Coolidge Corner Theatre. Bring your Chlotrudis membership card, because admission is $9/$6 for Chlotrudis and Coolidge members. And arrive early, because Chlotrudis will be holding its 2nd annual Silent Auction, with terrific items up for bid such as a two-night stay at the Charles Hotel, tickets to shows at the A.R.T., The Lyric Stage of Boston, and the Theatre Offensive, and a host of film festival passes for such important fests such as the Boston Jewish Film Festival, The Independent Film Festival of Boston, The Provincetown International Film Festival, the Boston Latino Film Festival and many more. Also up for auction are a pair of 6 month memberships for Film Movement, and some original artwork by Chlotrudis member Beth Caldwell. Bring your checkbooks: every bid could win you fabulous prizes, and supports the Chlotrudis Society for Independent Film as well!

There are a lot of other terrific films opening this week, so do think about heading out to the movies on another night as well. I’m very excited about MIRRORMASK, a fantasy fable written by comic book rock star Neil Gaiman. I also highly recommend the delicious French sex-farce, C’d’Azur. We caught this sheer delight at the Provincetown International Film Festival earlier this year, and it stars Gilbert Melkhi, so fabulous is Lucas Belvaux’s THE TRILOGY. If you’re looking for a romp filled with laughs, you’ll check this one out.

Carmen Maura stars in LA COMUNIDADThe Brattle Theatre is showing a pack of films from Spain’s master of mutant action, Alex de la Iglesia. I recently saw one of his earlier films, La Comunidad, starring Carmen Maura and it was lots of fun. I haven’t seen Maura in such a fabulous role in years. Do try to check it out. And for those of you who missed the smart and entertaining German film, The Edukators can catch it at the Museum of Fine Arts on Wednesday as part of their Starring Daniel Br’ries. This is one of Bruce’s top films of the year, and I enjoyed it quite a bit at the afore-mentioned Provincetown International Film Festival.

That’s it for this week.
See you at the movies!

Playing this week, September 30 – October 6.

Brattle Theatre, Cambridge
Mutant Action: The Films of Alex de la Iglesia
Ferpect Crime (Fri.)
Mutant Action (Fri.)
La Comunidad (Sat.)
800 Bullets (Sat.)
Day of the Beast (Sun.)
Perdita Durango (Sun.)
Harvard Book Store Presents
Dan Savage (Sat.)
Greta Garbo Centennial Celebration
Camille (Mon. & Tue.)
Anna Christie (Mon. & Tue.)
As You Desire Me (Wed.)
The Guaranteed Request Raffle Winner Night!
Smoke Signals (Thu.)
The Straight Story (Thu.)

Coolidge Corner Theatre, Brookline
Thumbsucker
Proof
The Aristocrats
Operation: Dreamland
Midnite Shaw Brothers Kung Fu Madness
Crippled Avengers (Fri.)
Kid with the Golden Arm (Sat.)
Brookline Booksmith Presents
John Berendt (Mon.)
Special Event!
Chlotrudis Short Film Festival
(Mon.)
Blue Vinyl (Sat.)
Thirst (Sun.)
The Next Industrial Revolution (Sun.)
The 30th Annual New England Film & Video Festival
Living With Slim & Buffalo Soldiers (Thu.)
Balagan
Filmmakers from the West Coast: Rebecca Baron (in person) (Thu.)

FEI Theatres
Capitol Theatre, Arlington

Junebug
Mad Hot Ballroom
The Beat That My Heart Skipped

Harvard Film Archive, Cambridge
Mikio Naruse: A Centennial Tribute
When a Woman Ascends the Stairs (Fri.)
Mother (Fri.)
Wife! Be Like a Rose! (Sat.)
Traveling Actors (Sat.)
A Tale of Archers at the Sanjusangendo (Sun.)
The Song Lantern (Sun.)
Contemporary French Cinema
The Lovers on a Bridge (Mon.)
Too Human: The Films of Louis Malle
Pretty Baby (Mon.)
Atlantic City (Tue.)
Film Architectures
L’Inhumaine (Tue.)
Imagining the City
Sunrise (with live piano accompaniment) (Wed.)
Harvard LBGT Film Series
Paris is Burning (Wed.)

Hollywood Hits Theatre, Danvers
Oliver Twist
Proof
Broken Flowers
March of the Penguins
An Unfinished Life

Landmark Theatres
Kendall Square, Cambridge
C’d’Azur
Mirrormask
A League of Ordinary Gentlemen
Keane
Everything is Illuminated
The Constant Gardener
Thumbsucker
2046
Grizzly Man
The Aristocrats

Embassy Cinema, Waltham
Thumbsucker
Proof
The Aristocrats
An Unfinished Life
Broken Flowers
March of the Penguins

Loew’s Harvard Square, Cambridge
A History of Violence
Oliver Twist
Green Street Hooligans
Proof
Broken Flowers

Museum of Fine Arts, Boston
The Films of Mikio Naruse
Yearning (Fri.)
Every Night Dreams (Sat.)
Sound of the Mountain (Sat.)
Repast (Sun.)
Floating Clouds (Thu.)
Engagement
Side Effects (Fri. – Sun. & Thu.)
Starring Daniel Br’>
Love in Thoughts (Sat. & Wed.)
Vaya con Dios (Sun.)
The Edukators (Wed.)
Brazilian Cinema
I Am Cuba, the Siberian Mammoth (Thu.)
Classic Russian Cinema
I am Cuba (Thu.)

The Newburyport Screening Room, Newburyport
Northern Lights Documentary Film Festival
Munch

BU CINEMATHEQUE RETURNS

Screenings are at 7 pm in room B-05 of the Communication Building, 640 Comm.Ave., Boston. Public transportation: the “B” Boston College Green Line, one stop beyond Kenmore Square.

Friday, September 30-AN EVENING WITH MONIKA TREUT. Making features and documentaries since 1985, the Hamburg-based director is probably the most important German woman filmmaker in the last two decades, certainly the most versatile and wittiest. Treut’s films always explore protean sexual identity, endorsing outrageous gender-twisting and role-switching, whether her film subject is Camille Paglia or a “B” Mexican movie star turned New York dominatrix. Treut will show at BU her 2005 documentary, TIGERWOMEN GROW WINGS, a major hit at this year’s Berlin Film Festival. It’s Treut’s take on Asian gender roles, a tale of three couragous, sexually adventurous Taiwanese women who defy the deeply sexist culture in which they were born.

Michael R. Colford
Chlotrudis Society for Independent Film, President

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Short Film Fest Auction Details – Offsite Bidders Encouraged To Join In The Fun! ()

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It’s less than a week away, and we already have a wonderful slate of items available for bid, thanks to our many donors – and we’re still not done! This year, we are going to open up the bidding early and provide a way for members and friends not in the Boston area to participate in the auction. Check Mewsings after 5 o’clock this Friday night, September 30, for official details and instructions to place bids for one or more of the following items:

2 all-access passes for the Provincetown International Film Festival in June 2006

1 one-year membership as a Friend of Film at the Museum of Fine Arts

1 space in the Introduction to Directing workshop at the Boston Film School, fall 2005 fall semester

2 all-film passes for the Independent Film Festival of Boston in April 2006

2 passes to the Boston Latino International Film Festival this October

2 tickets to the New England Film & Video Festival opening night & after-party

1 6-month memberships to Film Movement (put only 1 online)

1 1-year dual membership in the Chlotrudis Society for Independent Film

2 1-night stays at the Charles Hotel

2 tickets to any A.R.T. play during the 2005-2006 season

2 tickets to the Lyric Stage’s production of Caryl Churchill’s ‘A Number’

2 tickets to any two performances at the Theatre Offensive’s Out on The Edge Festival

2 tickets to any performance at Jimmy Tingle’s off-Broadway

Movie passes to the Landmark Kendall theatre

And there are more being added every day! So check back on Friday to find out how you can participate even if you can’t make it to the event itself! Of course, no one will want to miss this terrific slate of short films, including the U.S. premiere of Don McKellar’s “Phone Call From an Imaginary Girlfriend: Ankara,” and “Phone Call From an Imaginary Girlfriend: Istanbul.”

We’d like to thank all of our generous donors: The American Repertory Theatre, Beth Caldwell, Boston Film School, The Boston Jewish Film Festival, The Boston Latino Film Festival, The Charles Hotel, The Coolidge Corner Theatre, Cibeline, Film Movement, The Independent Film Festival of Boston, Jimmy Tingle’s Off Broadway, Landmark Theatres, Lion’s Gate Films, The Lyric Stage Company of Boston, The Museum of Fine Arts, New England Film & Video Festival, The Provincetown International Film Festival, The Roxbury Film Festival, and The Theatre Offensive.

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Films By Don Mckellar To Kickoff Chlotrudis Silent Auction & Short Film Festival ()

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Don McKellarWe are pleased to announce that our 6th annual Short Film Festival will open and close with short films by Don McKellar, acclaimed Canadian director/writer/actor. Most recently screened at the Toronto International Film Festival, the Monday October 3, 2005 showing at the Coolidge Corner Theatre will mark the shorts’ U.S. premiere, and will be shown out of competition.

Ten films have been selected to compete in this year’s festival. From experimental films, including one from a 14-year-old filmmaker and another shot in Iceland, to powerful narratives covering such topics as female genital mutilation and teen-aged girls coming of age, this year’s selections should appeal to a wide range of viewers.

BORN INTO BROTHELSAs an added treat, DVDs of the Academy-award winning documentary BORN INTO BROTHELS will be given out as door prizes to audience members, courtesy of Lions Gate Home Entertainment. BORN INTO BROTHELS chronicles the transformative journey of a group of extraordinary children in Calcutta’s red light district. Ebert & Roeper give the film “two thumbs up,” and Newsweek calls it “a remarkable and moving story about the power of art to transform lives.” The DVD contains loads of extra features, including updates on each of the children. More information can be found about the DVD here.

Prior to and immediately after the screening, a silent auction fundraiser will be held for such items as passes to area film festivals, theatre tickets, and local business gift certificates. Tickets for the Chlotrudis Short Film Festival are $9/$6 for Chlotrudis and Coolidge members, and the short films begin at 7:30pm.

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Chlotrudis Tuesday Night at the Movies + Indie Film Round-Up, September 23 – 29 ()

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Hello Everyone,

As is often the case, we follow up a week where little of interest is released with a week where several new releases are calling out for attention. I must beg your indulgence once again as we swap next week’s movie of the week to Tuesday. Join Chlotrudis members Tuesday night at the Coolidge Corner Theatre, 7:30 p.m. for Mike Mills’ THUMBSUCKER. Enjoy supporting performances from Tilda Swinton, Vince Vaughn, Vincent D’Onofrio, and Keanu Reaves while lead actorLou Taylor Pucci plays Justin who throws himself and everyone around him into chaos when he attempts to break free from his addiction to his thumb. Pucci won a Special Jury Prize at Sundance for his performance.

ThumbsuckerTHUMBSUCKER
dir. Mike Mills w/Lou Taylor Pucci, Tilda Swinton, Vincent D’Onofrio, Vince Vaughn, Benjamin Bratt, Keanu Reeves, 1h35m

The first feature film from acclaimed designer and video director Mike Mills (his work defined the look of the indie band Air) is based on the novel by Walter Kirn and features a stunning cast that includes Tilda Swinton, Vincent D’Onofrio, Benjamin Bratt, and Vince Vaughn. But the real casting coup wasn’t Keanu Reeves as a New Age dentist (though it is certainly an inspired performance!), it was newcomer Lou Pucci, who steals the film as the title character.

At 17, teenager Justin Cobb is still a habitual thumb-sucker, a habit that is beginning to disturb his family and disrupt his social life. Then his orthodontist helps him change his behavior through hypnosis therapy. Finally, Justin feels “normal” – but his troubles are really just beginning. He begins to spiral into manic behavior, is afraid his mother (Swinton) is about to leave the family, develops a newfound crush, and without really wanting to becomes the best member of the school’s debate team.

THUMBSUCKER is an honest and funny look at the struggles of those who yearn to be someone else (or to be “normal”) ‘ only to realize that their flaws are what make them human and loveable.

The other big releases opening at the Kendall Square Cinema this week screened along with THUMBSUCKER at the Toronto International Film Festival. Beth saw EVERYTHING IS ILLUMINATED, Liev Schreiber’s directorial debut starring Elijah Wood. Schreiber also adapted the screenplay from Jonathan Safran Foer’s best-selling novel. I also heard good things about Thomas Vinterberg’s DEAR WENDY, which boasts a original screenplay by Lars Von Trier
and stars Jamie Bell (so good in UNDERTOW) and Bill Pullman. These releases along with PROOF, starring Gwyneth Paltrow, are just the tip of the iceberg as the fall flood of movie releases begins. There should be plenty to chose from in the coming weeks. However, if you’re looking to play catch up this week, the Brattle Theatre offers two well received Chlotrudis options in their Recent Raves series. On Monday night (if you just have to see a movie) don’t miss Gregg Araki’s MYSTERIOUS SKIN another triumphant literary adaptation. Doc fans will want to take advantage of another chance to catch MURDERBALL on Wednesday night. Both have a good chance at being contenders for next year’s Chlotrudis Awards!

The Brattle Film Foundation presents ArtHOuseNext Thursday is your chance to go out and have good time socializing, get your hands on some inexpensive, original artwork, and do your part in supporting the Brattle Film Foundation at the 2nd Annual ArtHouse Silent Auction at the Brattle Theatre! Enjoy wine, beer and some yummy food while perusing donated artwork from local artisans. Bid on your favorites and you just might end up with an original hanging on your wall. You can get a preview of some of the works that will be auctioned off at the Brattle’s ArtHouse page. Admission is only $15 and I can guarantee you’ll have a good time.

This week also marks the return of Gerry Peary’s BU CINEMATHEQUE, a terrific and free opportunity for Chlotrudis members to see filmmakers talking about their work each week. Obstensibly for BU film students, Gerry has kindly opened up this series to Chlotrudis members. The screenings take place on Thursdays or Fridays weekly. Tonight the BU Cinematheque teams up with the Harvard Film Archive to show student films from the archives. See early student films by such internationally known directors such as Mira Nair and Darren Aronofsky. Next Thursday I hope to attend to see Robert Patton-Spruill’s finished film TURNTABLE. You may recall that a select group of Chlotrudis members had the opportunity to see a rough cut of TURNTABLE and offer their input on the finished product. I hope someone from that group attends this screening so we can hear how the film was changed! Check out the September schedule at the end of this post.

That’s it for this week.
See you at the movies!

Playing this week, September 23 – 29.

Brattle Theatre, Cambridge
Special Engagement – New 35 mm Print
Cobra Woman (Fri. – Sun.)
The Goethe Institut Boston Presents an Evening With Andreas Dresen
Grill Point (Sun.)
Willenbrock (Sun.)
Recent Raves
Mysterious Skin (Mon.)
Land of the Dead (Tue.)
The Devil’s Rejects (Tue.)
Murderball (Wed.)
Harvard Bookstore Presents
Iraq War Panel
Special Event!
Art House: A Silent Art Auction To Benefit The Brattle Film Foundation
(Thu.)

Coolidge Corner Theatre, Brookline
Thumbsucker
Broken Flowers
The Aristocrats
Muddy River Environmental Film Series
Slow Food Revolution (Fri.)
The Future of Food (Fri. & Sat.)
Kids Shorts (Sat. & Sun.)
The Lorax (Sat. & Sun.)
Portrait of a Coastline (Sat.)
Turning Down the Heat (Sat.)
Blue Vinyl (Sat.)
Thirst (Sun.)
The Next Industrial Revolution (Sun.)
Bike Like You Mean It (Sun.)
Lost Pond (Mon.)
The Greatest Good (Tue.)
Muddy River Watershed Event (Tue.)
The End of Suburbia (Wed.)
Pale Male (Thu.)
Gotham Fish Tales (Thu.)
Chain (Thu.)
Midnite Movies!
Firefly Marathon (Sat. – Sun. @ noon)
Brookline Booksmith Presents
Zadie Smith (Tue.)
Film Class
Prisoners of Circumstance (Thu.)

FEI Theatres
Capitol Theatre, Arlington

An Unfinished Life
Mad Hot Ballroom
Me and You and Everyone We Know
The Beat That My Heart Skipped

Harvard Film Archive, Cambridge
Too Human: The Films of Louis Malle
Vanya on 42nd Street (Fri. & Sun.)
My Dinner with Andre (Fri. & Sun.)
May Fools (Sat. & Tue.)
Damage (Sat. & Wed.)
Contemporary French Cinema
My Sex Life… Or How I Got Into An Argument (Mon.)
Film Architectures
Metropolis w/ live piano accompaniment (Tue.)
Imagine the City
Paris qui dort w/ live piano accompaniment (Wed.)

Hollywood Hits Theatre, Danvers
Proof
Broken Flowers
March of the Penguins
The Thing About My Folks

Landmark Theatres
Kendall Square, Cambridge
Dear Wendy
Thumbsucker
Everything is Illuminated
The Constant Gardener
Balzac and the Little Chinese Seamstress
2046
Grizzly Man
Junebug
The Aristocrats

Embassy Cinema, Waltham
Thumbsucker
The Thing About My Folks
2046
An Unfinished Life
Broken Flowers
March of the Penguins

Loew’s Harvard Square, Cambridge
Proof
The Thing About My Folks
Broken Flowers
March of the Penguins

Museum of Fine Arts, Boston
Music on Film
I’ll Sing for You (Fri. & Sat.)
Starring Daniel Br’>
Honolulu (Sat.)
Elephant Heart (Sat.)
Ladies in Lavendar (Sun.)
Muddy River Film Festival
Darwin’s Nightmare (Sat.)
Mikio Naruse
When a Woman Ascends the Stairs (Wed.)
New England Film Artists Present
Mutual Appreciation (Wed.)

The Newburyport Screening Room, Newburyport
The Aristocrats

BU CINEMATHEQUE RETURNS

Screenings are at 7 pm in room B-05 of the Communication Building, 640 Comm.Ave., Boston. Public transportation: the “B” Boston College Green Line, one stop beyond Kenmore Square.

Thursday, September 22-STUDENT FILM CLASSICS FROM THE HARVARD FILM ARCHIVE. Julie Buck, Head Film Conservator for the mammoth Harvard film collection, has put together a special first-time show for BU of 16mm classic films made by now-famous directors when they were students at Harvard. Among these are novice works by Mira Nair (MONSOON WEDDING, VANITY FAIR), Darren Arnofsky (PI, REQUIEM FOR A DREAM), Kevin Rafferty (ATOMIC CAFE)…plus some unannounced surprises!

Thursday, September 29-AN EVENING WITH ROBERT PATTON-SPRUILL. It’s a BU legend, how Patton-Spruill, a then recent BU filmmaking graduate

student, sold his first feature, SQUEEZE (1997), to Miramax instantly after its Sundance screening. Tonight, Patton-Spruill offers the world premiere sneak preview of his just-completed new feature, TURNTABLE! As with SQUEEZE, it’s a subtle, complex gangland story set in an African-American milieu, yet influenced by the French classic cinema of the 1960s. Also attending: the producer of TURNTABLE, Patty Marino, also a BU graduate.

Friday, September 30-AN EVENING WITH MONIKA TREUT. Making features and documentaries since 1985, the Hamburg-based director is probably the most important German woman filmmaker in the last two decades, certainly the most versatile and wittiest. Treut’s films always explore protean sexual identity, endorsing outrageous gender-twisting and role-switching, whether her film subject is Camille Paglia or a “B” Mexican movie star turned New York dominatrix. Treut will show at BU her 2005 documentary, TIGERWOMEN GROW WINGS, a major hit at this year’s Berlin Film Festival. It’s Treut’s take on Asian gender roles, a tale of three couragous, sexually adventurous Taiwanese women who defy the deeply sexist culture in which they were born.

Michael R. Colford
Chlotrudis Society for Independent Film, President

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The Last Day of Films ()

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The Last Day of Films

Sadly, Friday finally came, and with it our last day of films. We extended our trip two days precisely so we could see a certain film on Friday night. Before that, however, we saw the Short Cuts 3 program, one of several collections of Canadian short films screened by the festival. This collection entitled, “The Making Of…” was of particular interest to us because is featured two shorts by none other than Don McKellar. His pair of films, “Phone Call from Imaginary Girlfriend: Ankara” and “Phone Call from Imaginary Girlfriend: Instabul” were commissioned by a cell phone company in Canada, and shot on cell phone. They are oddly funny and moving at the same time, something Don is adept at capturing. The rest of the shorts were mostly unsatisfying, with only two others being worthy of the Chlotrudis Short Film Festival: “Troll Concerto” and “At the Quinte Hotel.” We followed up the shorts with a quick trip to the Japan Foundation Toronto for their exhibition, Monstrous Visions: Horror and Destruction in Japanese Films. This exhibit of Japanese anime, horror and monster movie posters was a draw because it naturally featured posters of Godzilla and Mothra! Our afternoon film was from Russia and was called BED STORIES.

It was all a build-up to the evening screening of Tsai Ming-Liang’s THE WAYWARD CLOUD, of course, and we were rewarded not only with a personal appearance by the director, but by lead actor Lee Kang-sheng as well! Ned had sent a warning to me through Russ the night before that the film took a surprising turn toward the ending making Ned very angry. I wasn’t terribly concerned: this was Tsai Ming-Liang we were talking about. Still, I have to admit, days later, the ending of THE WAYWARD CLOUD is still haunting me unplesantly. It’s a strong film, powerfully done, with many of Tsai’s hallmarks: scant dialogue, static cameras, absurd humor, gorgeous musical numbers. It is also about a porn star and has several fairly explicit sex scenes. Lee Kang-sheng looking inscrutableMost surprising is the shocking switch in tone from light-hearted and fun to ugly and disturbing. Like Michael Haneke’s CACHE, this film has me pondering the motivations of the director to present the story the way he did, although that doesn’t take away from my appreciation for it. After the film I considered asking Tsai about his decision during the Q&A, but once again, as with THE NOTORIOUS BETTIE PAGE, the audience hurled imbecilic questions at Lee Kang-sheng about what it was like to play the explicit scenes, etc. It was rather surreal to see Lee Kang-sheng standing up there on stage as he looked exactly as he does on screen in his many Tsai Ming-Liang films.

We wrapped the festival with something different, a rock and roll concert! More on that later today.

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Short Filmfest Returns to Boston in October ()

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The CHLOTRUDIS SOCIETY FOR INDEPENDENT FILM (CSIF) will present its 6th annual Short Film Festival on Monday October 3, 2005 at the Coolidge Corner Theatre. Audience members participate in this competitive one-night event, by contributing their votes for an Audience Award. A cash prize will be awarded the film chosen by the Chlotrudis Society to be the Best Short Film of the year.

BORN INTO BROTHELSPrior to the event and during its intermission, a fund-raising silent auction will also be held, with chances to bid upon prizes that include free weekends at exclusive hotels, certificates for luxury services like massages or personal shopping, and VIP passes to several of the area’s film festivals. Chlotrudis will also be giving away copies of the Academy-Award-Winning Documentary, BORN INTO BROTHELS. available September 20th, 2005 on DVD. as door prizes courtesy of Lion’s Gate Home Entertainment. BORN INTO BROTHELS – the 2004 Academy Award Winner for Best Documentary – is now available on DVD. Experience how beauty can be found in even the most hopeless of places as this inspiring film chronicles the transformative journey of a group of extraordinary children in Calcutta’s red light district. Ebert & Roeper give BORN INTO BROTHELS “two thumbs up,” and Newsweek calls it “a remarkable and moving story about the power of art to transform lives.” The DVD contains loads of extra features, including updates on each of the children. More information can be found about the DVD here.

The short film festival is one way the film-lovers of Chlotrudis honor and support the short film genre, and the filmmakers who devote their passion and energy into this lesser seen cinematic art form. At the same time, it’s an opportunity for Boston area audiences to enjoy a night of some of the best short films out there.

Over the years, films in competition have spanned the world, with entries from as far away as Australia and Israel, and as nearby as a neighborhood bowling league in Boston, as last year’s double winner DWAINE’S BIG GAME demonstrates. The winning film-maker is also honored at the group’s annual Chlotrudis Awards ceremony in March 2006.

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Spotlight on… Amy Robinson ()

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Producer Amy RobinsonCheck out the Chlotrudis Spotlight page for an interview with renown producer Amy Robinson. After starting her career as an actor in Martin Scorsese’s film MEAN STREETS, Robinson turned to producing such quality Hollywood films as FROM HELL, ONCE AROUND, RUNNING ON EMPTY, and AFTER HOURS. Chlotrudis board member Beth Curran enjoyed a telephone conversation with Robinson to find out about her latest film project (the indie film GAME 6 starring Michael Keaton), her thoughts on the future of film distribution, and her feelings about the importance of organizations like CSIF.

Stay tuned for more spotlight interviews from a variety of members in the film industry from Chlotrudis’ own roving reporter, Beth Curran.

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For Sheer Entertainment Value, You Can’t Beat LINDA LINDA LINDA! ()

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For Sheer Entertainment Value, You Can’t Beat LINDA LINDA LINDA!

What a delight to have all our tickets for Thursday and Friday’s films. That means no one had to get up at the crack of dawn to go to the box office! That was particularly important on Thursday because we had tickets for a midnight show of Takashi Miike’s THE GREAT YOKAI WAR. In preparation, Scot and I spent the morning asleep. I didn’t stir until nearly 11:30 a.m., a testament to the long hours I had been keeping the preceding days.

Our first film wasn’t until 3:00 p.m., and I was having trouble mustering much excitement for it. Not surprisingly, it turned out to be one of the high points of the festival for me! Mark Dornford-May’s U-CARMEN EKHAYELITSHA was a stunning, modern, South African retelling of Bizet’s “Carmen.” Dornford-May had already directed the Dimpho Di Kopane lyric theatre company in a stage version of “Carmen,” but his realization on screen truly captures the incredible power of opera. Lead actress Pauline Malefane embodies the Carmen character so completely, vocally, visually, and through her acting, that I can’t imagine a better person to play her. The sheer emotion her singing evoked in me had me close to tears. It was delightful to see her with the director to introduce the film, but I would have had a much finer appreciation for her presence had I known what she was capable of!

The ultra cool band in LINDA LINDA LIDNAOf course, for sheer entertainment value, the high point of the festival came at Thursday night, 8:30 p.m. Several Chlotrudis members had already been privvy to the joys of Nobuhiro Yamashita’s LINDA LINDA LINDA. What could be better than four Asian high school girls in uniform with electric guitars? Set in Japan, the film stars Korean actress Bae Doona, so good in TAKE CARE OF MY CAT, in a hilarious role that had me breathless with laughter. And if I can’t get that catchy tune out of my head, I honestly won’t be all that upset. Indie music fans take note, James Iha wrote the score.

We finished the night with something unexpected, a Takashi Miike film marketed to kids in Japan. If I saw THE GREAT YOKAI WAR when I was a kid, I definitely would have had a nightmare or three! Gotta say, I don’t think kids and Miike make a good fit. I would have enjoyed this film more without the children’s film conventions, but the freaky images were certainly a lot of fun.

Stay tuned for the report on our last day!

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Wednesday is Egoyan Day ()

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Wednesday is Egoyan Day

I fell behind during the last few days of the festival, but I will do my best to catch up in the next day or so. Wednesday’s high point was catching Atom Egoyan’s WHERE THE TRUTH LIES, a film by my favorite director that has been plagued since its screening at Cannes by the ratings board here in North America. It has received an NC-17 rating for some explicit thrusting during a threesome involving two men and a woman. The film is based on a murder mystery novel by Rupert Holmes (of “The Piña Colada Song” fame), and revolves around a 1950’s comedy duo a la Lewis and Martin, here played by Kevin Bacon and Colin Firth. This was clearly meant to be Egoyan’s breakout film only to be hampered by the ratings issue. It was my pleasure to see Atom in person for the first time, and was thrilled to find him as intelligent, articulate, and personable as I’d hoped. Atom during the Q&AHe discussed his most recent bout with the Ratings Board after cutting to try to receive an “R” rating. When he went to the final hearing, there were two additional people there. When he asked who they were, he was told that there was nothing to worry about, they were just members of the clergy. Atom commented sarcastically that he was told that it had nothing to do with the homosexuality in the film. Ha! Such a double-standard in the movies. Atom’s latest film has been receiving widely different reactions from critics, but I’m pleased to report that I loved it.

Mary Harron, Christine Vachon, two more of the film's producers, and lead actress Gretchen MolThe day wrapped with another anticipated film, THE NOTORIOUS BETTIE PAGE, Mary Harron’s follow-up to AMERICAN PSYCHO. The screenplay was once-again co-written by Harron and Guinevere Turner (for which they won a Chlotrudis Award for best adapted screenplay). Turner was originally slated to play Page, but the film was made with Gretchen Mol in the starring role, the reason for which I have never found. In the photo on the left, Mary Harron answers questions along with three producers (Christine Vachon being one) and Gretchen Mol. The film itself is a little disappointing; perfectly well-done, but it turns out that Page’s life wasn’t all that interesting other than the fact that she posed for pictures in bondage gear. THere was little dramatic arc to propel the film forward. The Q&A was somewhat painful, with some buffoons asking ridiculous questions of Mol clearly fishing for some revelation about playing such a sex-themed characters.

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Over the Hump and Down the Slope ()

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Over the Hump and Down the Slope

There’s a lost day in here somewhere, so I will try to play a little catch-up this morning. Tuesday was a mediocre film day. I saw three films, and the first two were solid “3-out-of-5’s”. At least the final film of the day managed to eke out a 4 rating. That film was Robin Neinstein’s SOUVENIR OF CANADA. Based on a non-fiction work of the same title by Douglas Coupland, this film seeks to explain, or highlight all the things that make Canada uniquely Canadian? Could there be a better film for me, the uncloseted Canadaphile? While the film turned out to be more of an essay about Douglas Coupland and his projects, with a substantial amount of Canadiana thrown in, it was still very skillfully done in a bright, upbeat tone. Pictured left are filmmaker Robin Neinstein and a couple of the films producers.

The face of the Chlotrudis group started to change slightly on Tuesday. Marilyn and Amanda had already left on Sunday evening, and Emily & Greg departed on Monday. Mary left today after joining me and Scot for lunch at Zelda’s. Jane Ford joined us rather unexpectedly for a one-day stint overnight on Tuesday. It’s been so much fun seeing all the various Chlotrudis members enjoying the grand dame of Film Festivals here in Toronto! I will try to post about Wednesday soon, but I’ve got to get ready for a long Thursday.

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