Hello Film Lovers!
This week’s Chlotrudis Monday Night Movie of the Week picked up two Awards last year at the 9th Annual Chlotrudis Awards. Join us at the Brattle Theatre, Monday, September 6 (Labor Day), 7:00 p.m. for DONNIE DARKO: THE DIRECTOR’S CUT. Jake Gyllenhaal, last year’s winner of the Best Actor Chlotrudis Award in a breakthrough performance, leads a cast of such terrific participants as Mary McDonnell, Maggie Gyllenhaal, Jena Malone, Drew Barrymore, Patrick Swayze, Katharine Ross, James Duval, and the delightful Beth Grant in this cult-favorite film that’s part science fiction apocalyptic nightmare, part dead-on John Hughes-style teen flick. Writer/director Richard Kelly took home the Chlotrudis Award for Best Original Screenplay, and here’s you chance to see the film he intended to make. Don’t miss it!
DONNIE DARKO: THE DIRECTOR’S CUT
dir. Richard Kelly w/ Jake Gyllenhaal, Mary McDonnell, Maggie Gyllenhaal, Jena Malone, Drew Barrymore, Patrick Swayze, Katharine Ross, and Noah Wylie, 133m
‘My original vision was always a kind of epic science fiction take but it had to be condensed to come in under two hours. Ultimately, I found it impossible to fully communicate the story in under two hours but now I don’t have a restriction on running time, hopefully audiences will be able to re-experience the film in a completely new way. With the new visual effects and new sound design I think it’s something the fans will really want to see on the big screen.’ ‘ Richard Kelly
When DONNIE DARKO was released in late 2001 it was considered a box office flop. With the events of 9/11 in the forefront of the American consciousness, the film’s stylized violence and mindtrip premise made it a difficult sell. In fact, the Brattle’s January 2002 premiere of the film locally was considered one of its more successful runs’ and we only played the film for three days! However, through extremely positive buzz and word-of-mouth, midnight screenings began to spring up across the country, DVD sales began to soar, and the cult of DONNIE DARKO was born. In light of the film becoming a contemporary cult hit and the fact that its star Jake Gyllenhaal is fast on the way to becoming a bona-fide Hollywood Star, writer/director Richard Kelly was given the rare opportunity to revisit his original film with an expanded budget and truly realize his vision of the story. The result is a director’s cut that boasts 20 minutes of additional footage, enhanced sound, more special effects and an expanded soundtrack featuring songs initially too expensive for the original release.
If you really need to see an indie film released in 2004 this weekend, there are a couple of new releases. I really want to get excited about Mira Nair’s VANITY FAIR. Nair was last in the Chlotrudis eye with the sumptuous and delightful MONSOON WEDDING. But her film interpretation of William Makepeace Thackery’s Vanity Fair looks like a rather limp Merchant/Ivory film. I hope to see it at some point, but I’m in no realy hurry, despite, or perhaps because of Reese Witherspoon in the lead role. Another new release that engenders even less enthusiasm in my film sensibilities is Vincent Gallo’s THE BROWN BUNNY. Sure, BUFFALO 66, Gallo’s first directorial effort held my interest, but everything I read and hear about THE BROWN BUNNY makes me want to see it less and less. So he gets an unsimulated, on-screen blow job from Chloe Sevigny; it sounds like the only thing that happens in the entire movie. Still, stranger things have happened, and perhaps I’ll catch this if it takes off and lasts more than a week… but I’m not holding my breath.
There are a handful of new documentaries you may want to catch. The Coolidge Corner leads the way with NINA SIMONE: LOVE SORCERESS, which was a smash earlier in the summer during the Monday night blues series. The Kendall opens a couple of docs this week, FESTIVAL EXPRESS and END OF THE CENTURY: THE STORY OF THE RAMONES, both looking at the music scene, which given my luck with music docs so far this year (DIG!; METALLICA: SOME KIND OF MONSTER) should tell me to rush right out and see them!
See you at the movies!
Playing this week, September 2 – 9.
Brattle Theatre, Cambridge
Exclusive Area Premiere!
Donnie Darko: the Director’s Cut
Coolidge Corner Theatre, Brookline
Hero
Vanity Fair
Nina Simone: Love Sorceress (starts Fri.)
The Corporation
Tom Dowd and the Language of Music (Thu.)
Midnites!
Anderson Comedy Live Sketch Comedy! (Fri.)
Midnites! Kung Fu Encores!
Black Voltage (Sat.)
Classic Summer Movies
JaWS (Mon.)
Harvard Film Archive, Cambridge
No Screenings… See you on September 10!
Hollywood Hits Theatre, Danvers
We Don’t Live Here Anymore (starts Fri.)
Riding Giants (starts Fri.)
Garden State
Maria Full of Grace
The Door in the Floor
De-Lovely
Napoleon Dynamite
Landmark Theatres
Kendall Square, Cambridge
Festival Express (starts Fri.)
The Brown Bunny (starts Fri.)
End of the Century: The Story of the Ramones (starts Fri.)
Open Water
Garden State
The Door in the Floor Maria Full of Grace
A Home at the End of the World
Napoleon Dynamite
Zhou Yu’s Train (Thu.)
Bang Rajan (Thu.)
Rosenstrasse (Thu.)
Embassy Cinema, Waltham
Vanity Fair (starts Fri.)
Mean Creek
We Don’t Live Here Anymore
Maria Full of Grace
Garden State
Before Sunset
Napoleon Dynamite
Loews Theatres Copley Place, Boston
Festival Express (starts Fri.)
Rosenstrasse (starts Fri.)
Mean Creek (starts Fri.)
Danny Deckchair
SuperBabies: Baby Geniuses 2
Fahrenheit 9/11
Uncovered: The War in Iraq
Maria Full of Grace
Riding Giants
Before Sunset
De-Lovely
Napoleon Dynamite
L. A. Twister (Thu.)
Zatoichi, The Blind Swordsman (Thu.)
Harvard Square, Cambridge
Vanity Fair (starts Fri.)
Hero
Mean Creek
We Don’t Live Here Anymore
Fahrenheit 9/11
Museum of Fine Arts, Boston
Spanish Cinema
My Mother Likes Women (Thu. – Sun.)
Russian Cinema: A Tribute to Lenfilm Studios
The New Babylon (Thu.)
Twenty Days without the War (Thu.)
A Long Happy Life (Sat. & Wed.)
In That Land (Sat.)
King Lear (Sun. & Thu.)
The Second Circle (Wed. & Thu.)
Irish Cinema
Goldfish Memory (Thu. – Sun., Wed. & Thu.)
New England Film Artists Present
Monkey Dance (Thu.)
The Newburyport Screening Room, Newburyport
The Story of the Weeping Camel (Thu.)
A Touch of Pink (starts Fri.)
Boston Jewish Film Festival Events
Rosenstrasse by Margarethe von Trotta at the West Newton Cinema and the Kendall Square Cinema.’
If you missed the BJFF’s sold-out sneak preview of Rosenstrasse, or if you want to encourage others to see it, you can still do so at two area theatres.
Michael R. Colford
Chlotrudis Society for Independent Film, President