Philip says: “Of my three most influential film directors, Alfred Hitchcock taught me that beauty, complexity, and suspense can have a place in a mass-marketed film. Pedro Almodóvar taught me the importance of family, absurdity in story, and the strength
Philip says: “Lynn Whitfield and Samuel L. Jackson star in this Kasi Lemmons melodrama based in Louisiana during the 1950’s. This film would be a perfect double feature paired with LAKAWANNA BLUES. Lemmons channels a bit of Tennessee Williams as she
Philip says: “Derek Jarman is a revolutionary filmmaker. I hate to think of him in the past tense. If you don’t understand the enormous vacuum that was left from the devastation of AIDS, watch Jarman’s EDWARD II, nearly 20 years
Philip says: “CLOUDBURST literally bursts on the screen with a powerhouse career-defining performance from 80 year-old Olympia Dukakis. Dukakis and Brenda Flicker (both Academy Award winning actors) play a lesbian couple who’ve been together for 31 years. Fricker’s character, Dot
Philip says: “Over the past ten years, LA BÛCHE has become a perennial holiday favorite of mine. A score by Michel Legrand containing classic Christmas songs from the 50’s and 60’s, family dysfunction, honesty, anger, and of course a lot
Philip says: “I wish I had seen Sean Baker’s (TANGERINE) film, THE FLORIDA PROJECT before the Oscars. I would have cheered it on. Baker’s gritty realism witnessed in his stunning Tangerine turns out not to be a flash in the
Philip says: “Revisited the hysterical mockumentary classic, Christopher Guest’s BEST IN SHOW this past weekend. ‘Pine nut… cashew nut… macadamia nut.’ The laughs never end. Jane Lynch had her breakout performance as dog handler Christy Cummings. I’m sure the Glee
Chris says: “Reining in the excess that sometimes cheapened his earlier work while retaining his passion and drive, director Luca Guadagnino crafts almost an embarrassment of riches, from a monologue for the ages for the great character actor Michael Stuhlbarg
Brett says: “If Martin McDonagh hadn’t etched his legacy in cinema with previous films IN BRUGES and SEVEN PSYCHOPATHS, well, he has now. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI brings dark humor to a contemporary set of issues that keep escalating
Chris says: “The Ross Brothers (CONTEMPORARY COLOR) nearly outdo themselves with their latest documentary, a fly-on-the-wall account of the last day of business for a Las Vegas dive bar. Initially resembling a Frederick Wiseman-directed, much seedier version of Cheers, it