Michael says: “Based on a novel by Larry McMurtry, and adapted by the author and director Peter Bogdanovich, THE LAST PICTURE SHOW is a sad, and nostalgic look at a dying Texas town in 1951. The film follows best friends,
Philip says: “There exist a handful of films I watch so many times with such intensity I imagine the next scene a moment before it arrives on the screen. Such is my experience with JULIA, the 1977 adaptation of the
Philip says: “In 1961, U.K. director Basil Dearden did something remarkable. He made a big budget film starring Dirk Bogarde and Sylvia Sims about homosexuality. The title of the film was VICTIM. Ironically instead of portraying the lead character as
Philip says: “George Stevens’ adaptation of An American Tragedy became the 1951 Oscar winning film, A PLACE IN THE SUN. Starring Montgomery Clift, Elizabeth Taylor, and Shelley Winters, Stevens’ film follows the modest rise and fall of a nephew to a
Philip says: “REBECCA is a classic on so many levels. It was Hitch’s first American film made in 1940 for David O. Selznick. Second, it was an eerie Gothic thriller based on the famous Daphne du Maurier novel. Third it stars
Philip says: “Penny Marshall’s love letter to women’s baseball, A LEAGUE OF THEIR OWN holds up beautifully nearly 30 years after its initial release. Weaving an all-American story wrapping feminism in the blanket of America’s favorite pastime proved box office
Philip says: “LEGALLY BLONDE is my pass. It’s my one ridiculously pulpy Hollywood comedy I get to swoon over without any flack from friends or family. We all deserve one pass and LEGALLY BLONDE is mine. What starts out as
Philip says: “Rita fought racism, sexism, and typecasting to become an icon, a legend – someone for young Hispanic people to look up to. She continues to provide a roadmap of what is possible. And she did it by making
Michael says: “I’m on a bit of a movie binge, partly due to the Brattle Theatre’s most excellent podcast, which I should have started listening to over a year ago. But it is inspiring me to catch up on a
Michael says: “Gentle and understated, but with real emotion that resonates, Javier Fuentes-León’s debut feature UNDERTOW touches upon love, death, and what it means to be a man in South America. Set in a visually stunning village on the coast
