Thom says: “This is an unusual film of power, rage, and grace. It’s an apocalyptic vision of a bleak & deserted world. A couple is wandering through a dreary landscape ostensibly looking for a way to a river that if
Jason says: “The zombie film, when you get right down to it, is really not that malleable a form. The plots are more or less the same, just differing in setting, detail, and tone. So it’s not exactly surprising that
Beth Caldwell says: “LA DANSE is a beautiful, beautiful film. Frankly this is what the category ‘best cinematography’ was made to represent. I’m particularly impressed that the cinematography was so rich and diverse in a place where the camera needed
Jason says: “There’s a line in Buddy Giovinazzo’s adaptation of his 1993 book of short stories that encapsulates the lives of its characters to a tragic extent; it’s a man berating his girlfriend on her priorities: Food, then fix, then
Bruce says: “At a glance it seems that director Cristian Nemescu was influenced by American pop culture. While that may be true to a certain extent it also appears that Nemescu’s filmmaking owes a larger debt to Emir Kusturica whose
Thom says: “When this started, not having any prior knowledge of the film, I sort of went Ho Hum, & settled in for a dull political polemic. I am thrilled to tell you that my prognosis was totally wrong. Burma
Jason says: “THE BROTHERS BLOOM is a magic trick of a movie, done close-up by a magician who has not only shown that there is nothing up his sleeves, but who is in fact only wearing a vest so as
Jason says: “BREATHLESS is about the parts of South Korea that you typically don’t see in the cinema. For all that the nation has a fine and varied film industry, even the gangsters often appear to be at least middle-class;
Bruce says: “THE BEACHES OF AGNÈS is most likely Agnès Varda’s final film. Now in her eighties, she remains an active photographer and is continually involved in shows featuring her photographic installations. It seems that directing is not specifically what
Michael says: “What a delightful evening in the Wintergarden theatre spent enjoying the world premiere of Guy Maddin’s pseudo-documentary MY WINNIPEG. Maddin was challenged by the Documentary channel to make a doc on his hometown of Winnipeg, and Maddin being