Thom says: “There wasn’t any reason to suppose that this wouldn’t be a great film but since this was Epstein & Friedman’s first dramatic film (although based on recorded events) I only plunged in because they have made quite a
Bruce says: “In 1983 Bette Gordon was an underground artist who decided she could make as good a film as the next guy (let’s face it, there were few female filmmakers in 1983.) The result was the stunning VARIETY which
Bruce says: “Who would have guessed that the two stars of the 2001 film L.I.E., one a Scotsman and the other an American teenager, would end up eight years later working together in Iceland? Although Paul Dano (2008 Chlotrudis Award
Jason says: “A few years ago, I saw a movie called A BITTERSWEET LIFE AT FANTASIA and loved it, saying it was the sort of action movie John Woo and Chow Yun-fat used to make before they came to Hollywood
TC says: “I can’t describe what an amazing, powerful movie this is. The film focuses on four reels of film shot in 1942 in the Warsaw ghetto by Nazi filmmakers who were making a propaganda film. But for some reason,
Bruce says: “Dark comedy either grabs you or keeps you at arm’s length. Fortunately DOGTOOTH is the type of film that is intriguing from the get go. In an early scene a mother (Michelle Valley) is giving her three children
TC says: “The title locale is a fishing village on an island in the middle of the Bronx, where corrections officer Vince Rizzo has lived almost all his life. Now Vince is the head of a family including a bored
Michael says: “Rodrigo García is so clearly a writer/director who knows how to create dramatic stories about women, and we can always use more filmmakers like that. He also lets some beautiful performances by women and men shine through beautifully
Jason says: “Director Daniel Monzón seems to know that the hook to CELL 211, with a rookie guard having to impersonate an inmate when a riot breaks out, is as improbable as it is intriguing. He and co-writer Jorge Guerricaechevarria (adapting
Jason says: “Though many cultures approach cinema differently, there are certain things that are constants. One of them is that if you open a film with a montage of a a happy child, something is going to happen to make