Brett says: “From director Thibault Emin, ELSE is a rather strange entry into the body horror genre, even for a genre that is usually rife with weirdness as is. The narrative begins a bit conventionally at first as a couple—Anx
Diane says: “Mother (Ellen Burstyn) has plunked herself down on a couch in a furniture store and refuses to get up. Her youngest son David (Ewan McGregor) is torn between tending to his mother and trying to get to his daughter’s birthday
Michael says: “A couple who probably shouldn’t be together, travel from NYC to Philly for Ben’s high school reunion. He and girlfriend Tessa, are sharing an Airbnb with host, Adam, who’s socially awkward that just adds to the discomfort of
Brett says: “It’s not often a film appears out of nowhere that feels almost completely lost to time and actually makes one rethink film-making structure. A BEER DRINKER’S GUIDE is largely a comedy, part autobiography, part documentary, part avant garde,
Michael says: “After making a dozen or more short films, writer/director Ali Kalthami has made his first feature film, where desperation meets opportunity, embodied by a man who spends long hours in his car, delivering a variety of products after
Chris says: “Chris Wilcha, who worked as a producer on the TV version of THIS AMERICAN LIFE has numerous unfinished projects scattered throughout his career. This documentary, ostensibly about the still-hanging-on, small-town New Jersey record store he worked in as
Chris says: “When Elliot Page announced his transition, I was curious as to how this might change his acting career; his first major film role since then does suggest a new phase, returning to the small-scale, nuanced indie dramas that showcased his
Michael says: “It’s not an international film festival without a moody, introspective Icelandic film, and Pálmadóttir’s debut feature, SOLITUDE fits the bill beautiful, but as is often the case, such as in 2019’s riveting tale of grief, A WHITE, WHITE DAY,
Julie says: “It had been a long day, having arrived at the Coolidge at 4:30 pm for MY OWN NORMAL, then seeing the heart string tugging SING SING and most of the Q&A for that. As I was almost exiting
Val says: “The anthropomorphizing of death is not a new storytelling concept. But Daina Oniunas-Pusic’s story isn’t called ‘Death,’ it’s called ‘TUESDAY and in this film the talking death-parrot is a foil to her. It felt like a new take