Jason says: “A new animated film from Makoto Shinkai at this point necessitates my going back and re-reading what I have written about the rest of his productions, as it can look somewhat lazy to praise him the same way
Kyle says: “The New York Premiere of DRUG WAR brought out enough fans of the great Hong Kong director Johnnie To to fill the Walter Reade Theater, although more than likely, the combination of drugs, cops, criminals and gun battles
Jason says: “Funnything about the festival circuit; a movie can be there for a while – I missed seeing this at Montreal’s Fantasia Festival last July, catching THE INNKEEPERS instead. I don’t regret seeing that at all, but I was
Jason says: “It happens to nearly every writer, musician, or film director who doesn’t die young: Because they never really retire, they’ll eventually have an unimpressive period that runs longer than even a long run of success. Take William Friedkin,
Thom says: “Director Koreeda is a huge festival favorite having been lauded for such films as AFTER LIFE, NOBODY KNOWS, & STILL WALKING (already a part of the Criterion Collection). The story is reasonably simple here, but very sweet and
Jason says: “The very title of THE IMPOSTER seems like it might be giving the game away, but it’s not hard to argue that this is entirely appropriate. Director Bart Layton opts to make the film a mystery only after
Bruce says: “HOW TO SURVIVE A PLAGUE serves as a textbook for the pros and cons of various mechanisms surrounding a social movement responding to a crisis. ACT UP was founded in 1987 by a group of people who felt
Michael says: “Fans of TAKE THIS WALTZ should check out Todd Louiso’s HELLO, I MUST BE GOING, about a young woman, recently divorced, who moves back in with her wealthy parents in suburban Connecticut and finds herself unable to move
Jason says: “The word ‘hail’ can mean a number of things, and for some reason I kept thinking of the wrong ones until about halfway through the movie, when some bad weather follows a bad event, and the sound as
Bruce says: “ANY DAY NOW won the Audience Award for best feature at the 2012 Tribeca Film Festival. Already I have heard snide comments about its deservedness. How does it happen that every film dealing with disabilities is tagged as