Jason says: “Lee Jeong-beom’s last film as director was THE MAN FROM NOWHERE, an action thriller spectacular enough that I’ve spotted people who usually don’t like their movies with subtitles telling other folks that they’ve got to see it. Lee
Jason says: “When trailers for THE GRAND BUDAPEST HOTEL first started appearing a few months ago, I felt some apprehension. Not so much because I often think I like director Wes Anderson less than I do, but because a large
Jason says: “It says something, either about my expectations or what Richard Ayoade pulled off, that THE DOUBLE is actually more peculiar than I had figured on a movie about a man meeting a dead ringer who is his opposite
Thom says: “I saw van Warmerdam’s brilliant 2009 film THE LAST DAYS OF EMMA BLANK (5 CATS) at TIFF and ever since I’ve been haphazardly tracking him down but it was sheer coincidence that I went to see BORGMAN recently.
Jason says: “Georges Simenon wrote La Chambre Bleue (The Blue Room in English) about sixty years ago, and it appears to be the sort of elemental crime story where only small details need be changed to bring it into the
Jason says: “I’ve got to confess: When I hoped for more Detective Dee movies after seeing MYSTERY OF THE PHANTOM FLAME a couple years ago, I didn’t really think I’d get them. Happily, it seemed the people of China also
Jason says: “John Sayles is perhaps the most notable independent filmmaker who falls through the cracks despite being quite accessible. Why is that? After all, he’s got LONE STAR and EIGHT MEN OUT to his name! There are a number
Kyle says: “To most Americans, the word ‘hijacking’ is forever associated with 9/11/2001; to many seamen on voyages in the Indian Ocean, it is a fearsome nightmare perpetrated by 21st century Somali pirates, and a potential danger all the time.
Jason says: “There are two sorts of horror movies in the world: The kind looking to make the audience jump with a thrill of excitement and the kind aiming to make them shake because they’ve been confronted with an idea
Bruce says: “THE BROKEN CIRCLE BREAKDOWN is a melodrama that could have been a disaster in lesser hands than that of director Felix Van Groeningen who interjects whimsy into a tale of romance and heartbreak. Adapted from a play, the