Michael says: “This is one of those documentaries that I can only imagine started out with a particular premise, and as filming commenced, more and more was unearthed around this story that it turned into something so much more. Ostensibly
Chris says: “Both the camerawork and editing go a long way towards transforming what is at its core a standard romantic thriller Hitchcock could’ve eked out sixty years ago (or Wong Kar-wai in the 1990s.) As others have said, it
Michael says: “Completing (perhaps?) the unplanned trilogy begun with THE SOUVENIR and THE SOUVENIR PART II, Joann Hogg’s take on the gothic ghost story, THE ETERNAL DAUGHTER becomes my favorite of her films since ARCHIPELAGO. In a genius casting move,
Michael says: “This hard-hitting examination of how children learn the harsh realities of adulthood is a tough watch, but the astounding performance that director Wandel reveals by child-actor Maya Vanderbeque is riveting. Nora and her older brother Abel, go to
Michael says: “This assured directorial debut from actor Rebecca Hall reveals a practice that many people will be unaware. Set in 1920’s Harlem, a chance reunion of two high school friends poses moral and ethical challenges to a black woman
Diane says: “In Joachim Trier’s latest film, the lead from his OSLO AUGUST 31ST (2011), Anders Danielsen Lie, almost steals the show from the main character. But I’m not complaining. Lie plays comic book author Aksel, the first serious relationship
Brett says: “All’s fair in love and wool. The film LAMB works as a film that’s more about the journey rather than the meaning. Even the most subtle explanation here would involve potential spoilers for the film, so it is
Chris says: “Internet dating in New York City during the COVID age is a compelling enough subject for a documentary, but it’s the way director Pacho Velez approaches it that renders it an essential one. For the most part, he
Scot says: “Just watched the German film EVERYONE ELSE, which I quite enjoyed. My concise summary of the film is that it’s about that moment in a relationship when you see your partner deciding whether he/she would rather be a freak
Bob says: “A priest who’s lost his faith walks into a psychiatrist’s office. No, that’s not the start of a bad joke. It’s one of the examples of the human condition presented in Swedish filmmaker Roy Andersson’s ABOUT ENDLESSNESS. “The