Val says: “A wife discovers her husband is having an affair, and hires a specialist to get rid of the mistress, but not in the way you might think. “This documentary watches like a narrative, with gorgeous shot composition, characters,
Laks says: “I cannot remember the last time I was sat in a full cinema that wept and laughed all together in seeming quick succession. On several occasions they were genuine tears of joy on other occasions it was pure
Julie B. says: “I was motivated to go to this years Boson Independent Film Festival when I saw that a documentary would be shown on Billy Ruane. Here’s my review. Even though I say a lot there are no real spoilers
Brett says: “Both director Marielle Heller (THE DIARY OF A TEENAGE GIRL) and actor Amy Adams deliver yet again in NIGHTBITCH, a drama-comedy that goes dark at times to tear into the daunting expectations of motherhood. The film is a
Michael says: “Gwen is a non-binary, drag, performance artist who grew up with his grandparents in a village in Russia. As a young adult, they use their outrageous, confrontational performance art for various forms of protest against the system in
Michael says: “This highly stylized, dark satire is an international affair produced by a plethora of countries, but shot in Austria and the UK. It follows a group of students who are influenced by a new teacher at a private
Diane says: “NO BEARS is the latest from Jafar Panahi, the outlawed Iranian director. I’m still wondering about the tone of the film: I took much of it to be hilarious satire, but I’m not sure that it actually is.
Brett says: “Joanna Arnow’s feature film debut comprises a series of threads, crossing and weaving, but never quite seamless from scene to scene. The film employs a fragmented editing approach, almost as if audiences are picking up pieces here and
Chris says: “This is Hirokazu Kore-eda’s first film set in his native Japan since SHOPLIFTERS and also his first that he hasn’t written himself since MABOROSI, his 1995 feature debut. Rest assured, MONSTER is completely in the director’s wheelhouse of
Michael says: “While the synopsis of this film did a bit to prepare me for the audacious and flat-out bizarre journey I might be embarking on, certainly Silva’s earlier film, THE MAID, for which lead actress Catalina Saavedra was nominated