Michael says: “There’s a lot about THE KNIFE that impressed me. A complicated tale of a young, black family doing their best to climb the ladder and live the American dream. That dream turns into a nightmare when the patriarch
Cobi says: “A deeply human film with more humor — even occasional slapstick — than I expected. Knowing it was made in the shadow of political imprisonment gives it added weight, but it stands firmly on its own. The film
Julie B. says: “BUTT HOLE SURFERS: THE HOLE TRUTH AND NOTHING BUTTt, a documentary directed by Tom Stern, co- produced by Simon Weinstein, edited by Scott Evans (who directed last year’s ROAD TO RUANE doc) is about a wild Texas post
Jeff says: “WE STRANGERS uses comedy and some pretty pointed satire to explore issues of race and class, combining elements of PARASITE and NEVER GONNA SNOW AGAIN. Ray (Kirby Howell-Baptiste), a Black woman, works for a commercial cleaning service in Gary, Indiana
Jeff says: “A pastoral dystopian thriller set on a Canadian farm originally established by Black refugees from the first American Civil War, 40 ACRES follows their descendants as they defend the farm from roving bands of cannibalistic marauders after a
Val says: “A wife discovers her husband is having an affair, and hires a specialist to get rid of the mistress, but not in the way you might think. “This documentary watches like a narrative, with gorgeous shot composition, characters,
Laks says: “I cannot remember the last time I was sat in a full cinema that wept and laughed all together in seeming quick succession. On several occasions they were genuine tears of joy on other occasions it was pure
Julie B. says: “I was motivated to go to this years Boson Independent Film Festival when I saw that a documentary would be shown on Billy Ruane. Here’s my review. Even though I say a lot there are no real spoilers
Brett says: “Both director Marielle Heller (THE DIARY OF A TEENAGE GIRL) and actor Amy Adams deliver yet again in NIGHTBITCH, a drama-comedy that goes dark at times to tear into the daunting expectations of motherhood. The film is a
Michael says: “Gwen is a non-binary, drag, performance artist who grew up with his grandparents in a village in Russia. As a young adult, they use their outrageous, confrontational performance art for various forms of protest against the system in