Jason says: “Bob Hope, Bing Crosby, and Dorothy Lamour made seven ROAD TO… movies between 1940 and 1962, though this series was not sequels so much as a chance to make selling the audience similar plots on a regular basis
Jason says: “Writer/director Andrew Niccol has never been a guy who had a problem with letting the audience know exactly what he is getting at with his movies, and that’s certainly the case when he sets his movies in the
Jason says: “2000 AD is not the only comic that could believably have its history scored with punk rock, but most of the rest burned out fast, or never made any sort of popular impact. 2000 AD has been a
Jason says: “It’s a weird thing to admit, but having seen a documentary or two about the Khmer Rouge a couple months back, and not regularly hearing much about Cambodia as it is now compared to those horror stories, it’s
Jason says: “My second impulse where Jean-Luc Godard’s GOODBYE TO LANGUAGE is concerned is to write nothing at all about it. That’s in large part because my first is to cry that the emperor has no clothes, but I think
Jason says: “After a year or so of going to the Indian movies at the local multiplex, one gets a certain idea of what to expect, generally a musical masala picture that’s odd by conventional Hollywood standards. Sometimes, though, you
TC says: “Loosely adapted from the Stanislaw Lem novel (who would probably say ‘VERY loosely’), this film is almost impossible to review, because as a film writer and fan, the thought of the stuff going on in this film is
Jason says: “I wasn’t really looking forward to this one, having kind of hated the first New Kids movie enough to skip the second, but it was the only English-friendly thing playing and I wanted to see what came after,
Jason says: “I don’t watch a lot of costume dramas or read the sort of classic romances that are this film’s close relations, so I’m not sure how often they are focused on matters of ritual and plotting and how
Chris says: “Linda Lovelace, star of the seminal mainstream porno DEEP THROAT, had a life story seemingly tailor-made for a biopic: plucked from obscurity, she became an instant, infamous celebrity, but paid dearly for it. LOVELACE revels in that dichotomy,