Jason says: “Someday, perhaps soon, folks may accuse Randy Moore of selling out. After all, while most of the crowd for the opening-night showing of ESCAPE FROM TOMORROW seemed to be there to cheer on poking a finger in the
Jason says: “I DECLARE WAR is a terrific little coming-of-age movie that’s made all the better because there are no adults and no real crises in it; it’s just kids evolving into something that’s not quite the same as what
Jason says: “You can say what you want about Detroit – that its main industry needs propping up, that its population is collapsing, that arson seems to be the most popular local activity – but you have to admit, hope
Jason says: “Five years ago, Alex Gibney set out to make THE ROAD BACK, a documentary that followed Lance Armstrong’s comeback, hopefully to culminate in an eighth Tour de France victory. That didn’t happen, but a whole lot of other
Thom says: “In 1889 German philosopher Friedrich Nietzsche witnessed the flagellation of a horse while traveling in Turin, Italy. He tossed his arms o’er the horse’s neck to safeguard it then collapsed to the soil. In less than one month,
Bruce says: “Dennis (Kim Kold) is a 38 year old bodybuilder. He still lives with his mother Ingrid (Elsebeth Steentoft) who treats him as though he were just entering his teen years. Theirs is the quintessential co-dependent relationship. Normal boundaries
Jason says: “In addition to directing his own films, Luc Besson has spent the past decade or two writing and producing action movies tailored to their stars; Michelle Yeoh was arguably the biggest female action star in the world during
Jason says: “I can’t say I’m a particular fan of sushi; in fact, I’m quite the culinary coward. But you don’t have to like a particular food to admire fine craftsmanship and dedication, and those are things that Jiro Ono
Jason says: “It’s hard too believe that INTRUDERS is just Juan Carlos Fresnadillo’s third feature film; the past decade-plus has been pretty good for Spanish genre filmmakers whether working in their native tongue or English, and Fresnadillo’s 2001 film INTACTO
Jason says: “Su-yeon Gu’s HARD ROMANTICKER is one of those movies that feels like it was cobbled together from a bunch of anecdotes that don’t necessarily add up to a story, but is able to more or less able to