Jason says: “Perhaps surprisingly for an underground film festival, a lot of people coming into this show were using the phrase used to describe it in the program – ‘body horror’ – like it was two words that they had
Jason says: “This winter, when someone made a comment on there being two biographies of mathematical geniuses up for awards, I responded that after an eternity of movies about poets and musicians whose genius apparently made up for their being
Jason says: “I remember hearing about ‘The Beauty Inside’, a short Web series produced by various tech companies with some sort of social or interactive content attached, but forgot about it almost immediately. Apparently it made more of an impression
Chris says: “THE TRIP smartly capitalized on Steve Coogan’s and Rob Brydon’s superb chemistry with each other—one could imagine getting a kick out of watching them do nothing more than read the phone book, as long as they did it
Kyle says: “TRAP STREET marks the directorial debut of Vivian Qu, who has a substantial resumé as a producer of Chinese films. This a tale of the gray areas between surveying and surveillance, as young Li Quiming (Lu Yulai) happily
Jason says: “Before Josephine Decker’s THOU WAST MILD AND LOVELY starts to be a weird, creepy sort of movie in a way that has real certainty and direction, it’s got two scenes that kind of warn the audience what it’s
Diane says: “Alfred Molina and John Lithgow make a sweet pair–married after 39 years together and then thrown into a financial and household crisis. Can you believe those two big men can fit in a bunk bed together? “Lithgow did
Diane says: “Too bad I didn’t get it, before seeing BIRDMAN, that the real-life career of its star, Michael Keaton, peaked with the BATMAN movies. But the story of an actor trying to make a comeback–this time by writing, directing,
Kyle says: “THE BABADOOK is a slick well-made horror genre item that sets up the events to follow with a car speeding to local hospital with mother in labor crashing and killing the father. It follows logically that the relationship
Jason says: “Though the two are unrelated outside of their subject and subject matter – they are made by different directors for different producers with visual styles that are fairly divergent as documentaries shot in the same places go –