Jason says: “Even after reading a description of this movie that I thought might give too much away and seeing the dedication at the start, I spent a good chunk of THE LEFT EAR thinking it was going to be
Chris says: “A beguiling mix of Aki Kaurismaki, David Lynch and Tsai Ming-Liang’ is what I tweeted moments after leaving the theatre. Looking back now, I’m not sure that description is on point, for this film doesn’t really feel like
Jason says: “Ursula Dabrowsky directs the heck out of INNER DEMON, not just because it keeps going despite having a small cast and what seems like some tight constraints where locations and other resources are concerned, but because she pulls
Jason says: “James ‘The Amazing’ Randi has been best-known his efforts on debunking psychics, faith healers and other frauds for so long that many associate him with that alone. Even remembering that it was his qualifications as a magician that
Jason says: “Perhaps surprisingly for an underground film festival, a lot of people coming into this show were using the phrase used to describe it in the program – ‘body horror’ – like it was two words that they had
Jason says: “This winter, when someone made a comment on there being two biographies of mathematical geniuses up for awards, I responded that after an eternity of movies about poets and musicians whose genius apparently made up for their being
Jason says: “I remember hearing about ‘The Beauty Inside’, a short Web series produced by various tech companies with some sort of social or interactive content attached, but forgot about it almost immediately. Apparently it made more of an impression
Chris says: “THE TRIP smartly capitalized on Steve Coogan’s and Rob Brydon’s superb chemistry with each other—one could imagine getting a kick out of watching them do nothing more than read the phone book, as long as they did it
Kyle says: “TRAP STREET marks the directorial debut of Vivian Qu, who has a substantial resumé as a producer of Chinese films. This a tale of the gray areas between surveying and surveillance, as young Li Quiming (Lu Yulai) happily
Jason says: “Before Josephine Decker’s THOU WAST MILD AND LOVELY starts to be a weird, creepy sort of movie in a way that has real certainty and direction, it’s got two scenes that kind of warn the audience what it’s