Jeff says: “You might expect a movie about life in an African prison to be relentlessly grim. NIGHT OF THE KINGS, though, tells a lyrical story about storytelling itself. “La Maca prison, set in the midst of the Ivory Coast
Michael says: “I’ve got a nice start on my 2021 films now that I’ve wrapped up my nomination viewing. I recently watched the amusing and nicely done LAPSIS through the Brattle Theatre’s virtual cinema. For his feature debut, writer/director Noah
Bob says: “Radha Blank wrote, directed, and starred in this film about a character named Radha Blank. Is it autobiographical? I imagine it must be, at least in part. “The Radha in the film was the recipient of an award:
Michael says: “Structurally, there’s nothing really all that noteworthy about WORDS ON BATHROOM WALLS, a high school rom-com that hits all the right beats and plays out in a fairly expected manner. What makes WORDS ON BATHROOM WALLS notable, and
Michael says: “I was delighted to find out that Atom Egoyan had a new film out in July, and even more excited that it was an original story written by Egoyan as well as directed by him. Atom’s recent work
Jeff says: “INVISIBLE LIFE begins with an allegory, two sisters climbing a mountain through a jungle, hand-in-hand. They become separated, and even though they are not far apart, they each cannot hear the other as they call out. “It’s the
Chris says: “I guess making a movie with a Harvey Weinstein stand-in who is never shown and only depicted via email and phone is a cautious, effective way to avoid getting sued (and who wants to actually see a Harvey
Michael says: “This is a fun comedy about the creative team of a Palestinian soap opera. Salam gets a job on the set of this television show which is run by his Uncle.. He’s hired because he’s fluent in Hebrew
Chris says: “After a few stabs at making biopics (HOWL, LOVELACE), veteran nonfiction filmmakers Rob Epstein and Jeffrey Friedman return to form with a slick but affecting documentary about one of the greatest vocalists of her generation. While not held
Diane says: “Such a great subject—the 90-year-old sex therapist—so the doc is bound to be enjoyable. With Westheimer’s frank manner and tiny frame suffusing the film, the only directorial missteps are some unattractive animation for childhood scenes, paired with narration