Michael says: “Structured like a caper film of international espionage, THE COVE is actually a shocking documentary about a tiny Japanese fishing village that traffics dolphins to the hundreds of sea parks across the world, then slaughters the remaining to
Bruce says: “Muna (Nisreen Faour) is a single parent raising her son Fadi (Melkar Muallem) in Bethlehem. Each day they spend considerable time negotiating checkpoints, often humiliated by Israeli soldiers. Muna works at a bank and Fadi attends private school
Bruce says: “Not often do I wish that a foreign film would be remade by Hollywood but ACCIDENT is the perfect candidate. My hope is that some clarity would be added to the film, thus ratcheting it up the cat
Bruce says: “Kelly Reichardt from the looks of things is the modern chronicler of quiet desperation. WENDY AND LUCY is similar in many ways to her critically acclaimed earlier work, OLD JOY. The story is sparse, almost non-existent. There are
Michael says: “This Danish science fiction/comedy/suspense film hits all the right notes, especially with the casting of the divine Paprika Steen in the title role. What’s a willful and rowdy class of students to do when they discover that the
Michael says: “Despite an intriguing, adept cast, and some skillful camerawork, Shinji Aoyama’s SAD VACATION has a little too much plot to be entirely successful. In fact, more than once I wondered if this film was a sequel and I
Beth Curran says: “Okay, I first must talk about the spectacle first – the film’s premiere was at the Elgin, and it was beyond zooey. Seating took forever, and it was unbelievable how large the reserved section was. While looking
Bruce says: “The Spanish are becoming quite proficient in the farce department. This delightful comedy is a period piece involving a Freud disciple named León (Alex Brendemühl) who suddenly disappears thereby creating havoc in his intersecting professional and family circles.
Beth says: “The latest from Korea’s Kim Ki-duk. A woman undergoes secret cosmetic surgery then reappears as a new woman who romances her boyfriend – is it the ultimate sacrifice, to make yourself anew for love, or the ultimate test,
Michael says: “German feminist filmmaker Doris Dörrie is best known for her narrative features, such as 1985’s MEN, 1988’s ME AND HIM, or 2000’s ENLIGHTENMENT GUARANTEED. It is this latter film that serves as a connection of sorts to her