Diane says: “Leafing through the September 2007 issue of Vogue is a big job. I’m on page 208 and my arms are already tired, with 632 pages to go. The table of contents appears after 145 pages of ads. Now
Jason says: “ZOMBIE NIGHT is, I’m given to understand, a terrible movie, bottom-dozen of all-time bad. Thus it has a cult following. The sequel, to hear the filmmakers tell it, was better-made to the point of mediocrity, but paradoxically less
Thom says: “First off I’m not at all a fan of animation but I’ve long thought Miyazaki was by far the best of the lot. His SPIRITED AWAY, PRINCESS MONONOKE, HOWL’S MOVING CASTLE, & CASTLE IN THE SKY were all
Jason says: “THE MERRY GENTLEMAN is one of those movies that appears at the local boutique theater for a blink-and-miss-it one-week engagement with just about zero fanfare, and I probably would have missed it if I hadn’t noticed Michael Keaton’s
Jason says: “The ‘getting to know you’ movie is a vital part of the independent film scene. Aside from being something that can be shot on a budget – get a couple actors, some friendly locations, and a script with
Michael says: “As in JELLYFISH, my favorite film from last year, MAMMOTH finds as one of its core conflicts, a mother traveling half-way around the world to take care of other people’s children in order to make money to support
Jason says: “Though I tend to think that attempting to fit a movie into a specific genre and then being frustrated when it fails to fit there nicely speaks more ill of the viewer’s inflexibility than the movie itself, I
Bruce says: “PARIS is a kaleidoscopic film, one that tells many stories at once; it is difficult to keep the characters straight and impossible to imagine how they could be related. This statement is more observation than complaint. It is
Michael says: “What do we make of JULIA, and the very unusual career of filmmaker Erick Zonca? JULIA is a difficult to categorize film, part crime thriller, part melodrama, part farce, part comedy (although I’m not 100% certain the last
Jason says: “You know how most monster movies start out in the country or suburbs with the nasty stuff reaching the city something to be avoided at all costs? INFESTATION starts after that’s happened. After giving us a few minutes