Bruce says: “Were it not for a career-defining performance by Cirián Hinds THE ECLIPSE might not find much of an audience. While it is a ghost story and it is scary at times, it is lacking in cult potential largely
Thom says: “This fun caper film features the kidnap of a woman who is the daughter of a very powerful man, by two fellows that appear to have a very well-thought-out plan that they execute to a certain perfection. But,
Thom says: “For all those missing the great Russ Meyer and his over-the-top extravaganzas (FASTER, PUSSYCAT, KILL!! KILL!!, BEYOND THE VALLEY OF THE DOLLS, MUD HONEY, etc.) here’s a terrific substitute. Big-breasted action girls in a sexploitation treat get stuck
Diane says: “Latest Pixar is bedeviled by a MacGuffin chase that makes it generic. It’s the first half hour of the film, the beautifully moving story of a couple passing from youth to old age and relinquished dreams, that makes
Barbara says: “Watching TYSON and LAGERFELD CONFIDENTIAL within a day of each other was an interesting experience. The one attribute that the two subjects seem to share is self awareness although Tyson came by his after just about ruining his
Jason says: “As much as I enjoyed South by Southwest, I must admit that I wish I had seen more of Austin. I bought a guidebook but never cracked it open, and thus my experience with the city is more
Diane says: “Leafing through the September 2007 issue of Vogue is a big job. I’m on page 208 and my arms are already tired, with 632 pages to go. The table of contents appears after 145 pages of ads. Now
Jason says: “ZOMBIE NIGHT is, I’m given to understand, a terrible movie, bottom-dozen of all-time bad. Thus it has a cult following. The sequel, to hear the filmmakers tell it, was better-made to the point of mediocrity, but paradoxically less
Thom says: “First off I’m not at all a fan of animation but I’ve long thought Miyazaki was by far the best of the lot. His SPIRITED AWAY, PRINCESS MONONOKE, HOWL’S MOVING CASTLE, & CASTLE IN THE SKY were all
Jason says: “THE MERRY GENTLEMAN is one of those movies that appears at the local boutique theater for a blink-and-miss-it one-week engagement with just about zero fanfare, and I probably would have missed it if I hadn’t noticed Michael Keaton’s