Jason says: “HOBO WITH A SHOTGUN arrives with one of the most straightforward, descriptive titles for an action movie since SNAKES ON A PLANE. That simplicity serves it fairly well; it’s exactly the sort of 1980s exploitation pastiche the name
Jason says: “It’s a funny thing that the first live-action GANTZ film feels kind of old-school; considering that the director’s last project was a CGI feature, the original manga does not hide that it is produced with digital tools, and
Jason says: “CIRCUMSTANCE is sneaky. It starts out as a simple tale of teenage idealism and perhaps forbidden love, and that thread certainly continues throughout the entire film. The clever thing that writer/director Maryam Keshavarz does is to show a
Michael says: “After her triumphant first feature, RED ROAD, which won lead actress Kate Dickie a Chlotrudis Best Actress Award, writer/director Andrea Arnold returns with another powerful drama about a young woman’s desire this time in blue-collar Britain. Mia doesn’t
Jason says: “There are many varieties of ‘edgy,’ but most can fit within two broad categories: Those that make a mainstream viewer say ‘ewwwww!’ and those that make that same mainstream viewer say ‘what the hell?’ There is, as one
Jason says: “I was pretty fond of filmmaker Michel Hazanavicius’s previous comedic revival of the OSS 117 franchise and character (OSS 117 CAIRO, NEST OF SPIES); it did a lot of things right and did them in ways that an
Jason says: “The title of IT’S KIND OF A FUNNY STORY is its own review. It’s just a matter of where you want to put the emphasis. It’s got enough jokes and amusing moments to qualify as a funny story,
Bruce says: “Xavier Dolan began writing his script for J’AI TUÉ MA MÈRE when he was sixteen with the goal in mind of getting his film into the Cannes Film Festival. Not only did he achieve that goal but he
Thom says: “Polanski, perhaps because of his continuing legal problems, is not the most prolific of world-class directors, but I’ve still managed to see 17 of his films. I loved his early oeuvre of KNIFE IN THE WATER, REPULSION, &
Jason says: “FROZEN is straightforward, at times almost to a fault. In short order, we get friends with a certain amount of tension between them, a situation we really wouldn’t want to be in, and things getting worse. Fortunately, this