Michael says: “Guy Maddin is a talented and creative filmmaker. For his latest U.S. release, he has taken Mark Godden’s interpretation of Bram Stoker’s Dracula for the Royal Winnipeg Ballet and turned it into an beautifully eerie film with moments
Ivy says: “DIRTY PRETTY THINGS is the newest film by Stephen Frears (MY BEAUTIFUL LAUNDRETTE). It is a thriller set in the world of illegal citizens in London and what they have to do in order to work, get citizenship,
Michael says: “Well, the several Chlotrudis members who attended the second installment of the Sunday Eye-Opener were treated with a sneak preview of Olivier Assayas’ stylish tale of corporate cyber-espionage. Assayas, whose IRMA VEP is a cherished fave film of
Laura says: “Bobby Keough (Scott Speedman, DUETS) seemingly has it made. His uncle Jack (Brendan Gleeson, GANGS OF NEW YORK) is the head of SIS, his partner Eldon Perry (Kurt Russell, VANILLA SKY) is a favored veteran and he’s just
Bob says: “What I liked most about this film is the way the language barrier between the characters is used to drive the story forward – often to delay it. After the first few conversations, the fact that no one
Ivy says: “This feature film debut is a daring challenge following 5 story lines as they intersect and eventually overlap starting with the simple connection of a bullfighting bull’s body parts after it has fought and been slaughtered. “The cinematography
Bob G. says: “(WARNING: Slight spoiler included) “CABIN FEVER is a nasty little genre picture that, if it took itself a hair more seriously, would be a B-Horror-Pic classic in a league at least close to films to which it
Michael says: “Justin Lin’s BETTER LUCK TOMORROW is an interesting if not entirely original take on high school ennui, and the how easy the slide from academic success into crime and violence can be. BETTER LUCK TOMORROW is also notable
Michael says: “Freundlich’s second feature film (following THE MYTH OF FINGERPRINTS) tells the story of one man’s struggle with his father. Billy Crudup plays Cal, married with one son, successful architect, and facing deep abandonment issues revolving around his absent
Laura says: “After an arduous, two year trip to theatrical distribution, the multiple festival award winner TULLY arrives to make its mark as a true American independent. Based on the O’Henry prize winning story by Tom McNeal by coproducer/writer/directory Hilary