Bruce says: “Every country has its horror stories. Algeria has more than its share. Most recently, civil war tore Algeria asunder from 1990-1998. In his film ALGERIA, UNSPOKEN STORIES Jean Pierre Lledo focuses on an earlier period. In July 1962
Chris says: “Gus Van Sant is listed as one of the executive producers, but throughout this positively odd but rarely boring first feature from director Cam Archer, I was expecting to see Todd Haynes’ name instead. As I watched this
Bruce says: “This film would make a great double feature with AUDIENCE OF ONE. Both feature overzealous ministers who stop at nothing to accomplish goals which are both ill-defined and elusive. WHAT WOULD JESUS BUY? is the story of Reverend
Bruce says: “**Spoilers** “VITUS is a surprisingly slick and competent drama about a child prodigy who desperately wants to be normal. When we first see Vitus (Teo Gheorghiu) he is twelve and has stolen a private plane which he is
Bruce says: “‘A reasonable man adapts himself to suit his environment. An unreasonable man persists in attempting to adapt his environment to suit himself. Therefore, all progress depends on the unreasonable man.’ When George Bernard Shaw wrote these words he
Bruce says: “AMADEUS did Mozart great disservice, portraying him as silly and deluded during the last decade of his life. Phil Grabsky is out to set the record straight by tracing Mozart’s career from the time of his first known
Bruce says: “Director Alessandro Angelini does a great job in setting up his story. The tight writing and editing seem the work of a much more seasoned filmmaker. SALTY AIR is skimpy on plot but the general flavor and intense
Bruce says: “THE OPTIMISTS is a series of five vignettes about those who more or less take advantage of the situation rather than rise to the occasion. The first is about a hypnotist who visits a peasant village. The hapless
Bruce says: “Mr. Vig is 82. His ‘old ambition is to create something enduring’ and to that end he has decided to give his estate, Hesbjerg Castle, to a Russian Orthodox religious order. As the film begins, Sister Ambrosija arrives
Bruce says: “Tracking down home movies and combining them with other (usually professional) archival footage is an intriguing way of telling a story, creating a verité effect while providing a history lesson. Péter Forgács is a founder of the Private