Aaron says: “Sean Baker’s latest, is a blast—funny, raucous, heartfelt, and sad—it’s controlled chaos as only Baker can do. Sex worker Anora ‘Ani’ (Mikey Madison) gets swept up in a Cinderella romance with Ivan ‘Vanya’ (Mark Eydelshteyn), the son of
Michael says: “Charlie Plummer stars as Dylan, a 21-year-old holding his family, a mother slipping in and out of sobriety, and a younger brother how desperately needs the parenting Dylan provides. The hard-working young man jumps from job to job, finding
Michael says: “Still reeling from her mother’s death, and finding herself in a stagnant marriage, Judith, a Japanese-Canadian woman takes her family to a couples’ therapy retreat. There her two daughters explore the Pacific coast while their parents work on
Chris says: “June Squibb found success late in life, well into her 70s and beyond when she appeared in small but acclaimed scene-stealing roles Alexander Payne’s ABOUT SCHMIDT and NEBRASKA; in both of these and many other film and TV
Chris says: “Alternate title: Everything You Ever Wanted to Know About Purple Martins (and Should Have Thought To Ask.) The largest species of swallows in North America, the Purple Martin resides exclusively in nesting structures in order to ensure their survival.
Chris says: “In past films like SAINT LAURENT and NOCTURAMA, I’ve admired director Bertrand Bonello’s approach and elements of his heightened style without finding them complete or entirely convincing. His latest gets closer than ever to feeling whole but that’s
Michael says: “Like DAUGHTERS IN THE DUST, when a fil is described as a tone poem, it’s probably not going to be my cup of tea. That said, there is a lot I can appreciate about such films, and ALL DIRT
Chris says: “The longer I sat with this Argentinian film about a bank heist (but not really a heist film per se), the more I appreciated it, even if it really did not need to be three+ hours long. Apart
Chris says: “This 1980s-set drama about a young teacher and Britain’s Section 28 legislation (which prohibited the promotion of homosexuality) is a bit heavy-handed at times in ways where, say, PRIDE was not. However, you should see it for Rosy
Chris says: “As with many music docs, it’s overlong and reaches a bit too far stylistically; still, better that than just skimming the surface or regurgitating well-known factoids which this has no trouble avoiding in part because its subject is