Toni says: “This debut feature from Chile’s Gaspar Antillo deserves Buried Treasure consideration and for Use Of Music In A Film. It is a well-made small-town story about a man recalling his past of being bullied for his appearance, in
Chris says: “Strange little thing about a woman introducing her boyfriend to her family. It plays like a Mexican episode of Curb Your Enthusiasm directed by Roy Andersson: slow, deadpan, full of crossed wires and subtle digressions. I alternately laughed
Chris says: “Not as inventive or all-out gonzo as RUBBER or WRONG, but neither of those had the weird chemistry that materializes between Jean Dujardin’s weasel-like enigma and Adele Haenel’s at first bemused, then all-in co-conspirator. So, I’m thankful Quentin
Chris says: “Putting aside its novel narrative hook (‘based on an actual lie”), THE FAREWELL is the latest in a long tradition of family wedding films; it’s also one of the more relatable, realistic depictions of such I’ve seen in
Jason says: “The title of THE CONFIRMATION doesn’t do it a lot of favors, unless the misadventures that its characters go through parallel that particular Catholic ritual in ways that aren’t particularly obvious to those of us who don’t share
Jason says: “UNCANNY jokes about the Turing Test casually enough to make even longtime science fiction fans marvel a bit at how the phrase has started to enter the general lexicon in the last few years. The go-to reference for
Jason says: “The movie listings this Valentine’s Day are weird: The big studio release is FIFTY SHADES OF GREY and in that spirit, my local theaters are pulling out prints of SECRETARY, bringing THE DUKE OF BURGUNDY back for a
Jason says: “The inciting incident of SOCIALPHOBIA is never shown on-screen, just the social-media reaction to it, and that sort of feels right. It’s easy to get caught up in something online without having been there at the start, or
Jason says: “Show me MAGGIE at a genre film festival with a cast of unknowns, and I likely react with unreserved excitement. That is, after all, the natural life-cycle and scale of movies such which play with genre conventions the
Jason says: “There’s a potentially great movie-industry satire inside LOVE ON THE CLOUD wrapped in a layer of romantic comedy just thick enough that a viewer will likely wonder whether director Gu Chang-wei and company are doing for something very