Chris says: “ANNETTE is a tough film to wrap one’s head around and you wouldn’t expect anything less from an epic, operatic musical directed by Leos Carax (whose last film was the bonkers HOLY MOTORS) and written/composed by brothers Ron and
Chris says: “It has a wish-fulfillment premise probably better suited to the stage (from which it’s adapted) than the screen, but Regina King’s assured directorial debut mostly overcomes the occasionally clunky dialogue through the sheer force of its four leads,
Jason says: “It’s easy to see the kind of thriller that THE ALGERIAN’s makers want it to be, so plain on its face that the two or three actors that audiences recognize from more polished material can seem far out
Jason says: “When I said I’d be interested in seeing a remake of Korean comedy MISS GRANNY when I saw it at the Fantasia Festival last August, I didn’t realize that one was already shooting in China. It’s no shock
Jason says: “If you’ve read my reviews of Bollywood movies over the past couple of years, you’ll find a couple of patterns: Just because I enjoy them as a change of pace from the usual Hollywood fare doesn’t necessarily mean
Jason says: “BERBERIAN SOUND STUDIO brought a film called AMER to mind, even though the two are spectacularly different in the way they pay tribute to Italian giallo movies. What they have in common is a deep affection for the
Michael says: “Woody Allen keeps tricking me. I really haven’t seen a Woody Allen film that I’ve thoroughly enjoyed in the new millennium. Arguably, the last film of his that worked for me was CELEBRITY back in 1998 (and many
Jason says: “NESTING is a nice enough little indie comedy that does nobody any harm and has the occasional pretty decent moment. That’s a nice starting point, but the movie could use a little bit more of everything, from resources
Amanda says: “I just saw CRASH last night and I cannot stop thinking about it. Sign of: good film that you want to share (like this), bad film that you want people to avoid (I don’t know if I should
Michael says: “What could have been fascinating and unusual turned out to be fairly pedestrian, beautifully filmed, and occasionally over-the-top. ENDURING LOVE, based on the novel by Ian McEwan, was directed by Roger Michell, whose unusual career includes such films