Laura says: “Max Rothman (John Cusack, HIGH FIDELITY) is a progressive art dealer in 1918 Munich when he meets a Corporal whom he fought with in Ypres who aspires to be an artist. Screenwriter Menno Meyjes (THE SIEGE) makes his
Laura says: “Theologian Dietrich Bonhoeffer was born to a wealthy family in Breslau who were not avid churchgoers. His integrity, intellectual insights and standing with the ecumenical church marked him as a spiritual leader at a very young age, yet
Laura says: “In 1948, the apartheid government came to power in South Africa, stripping basic human rights from the native Black citizenry. For over four decades a struggle ensued to restore those rights. Director Lee Hirsch spent a decade himself
Laura says: “It’s the lead actors who make this piece work. Jolie is appealing and believable as a hurt little girl masquerading as a shallow career gal. Playing Lanie Kerigan was a smart choice on Jolie’s part, softening her own
Laura says: “Paxton the director keeps Paxton the actor on an even keel. The kindly father shows no change in personality as he begins trapping and slaying people from neighboring towns, although a hint that the visiting angel had something
Hilary says: “Roman Coppola officially joins the family business with his directorial debut, CQ. For anyone out there who loves BARBARELLA (and I know there’s at least one other person among the membership that will admit this) it’s a must-see.
Laura says: “As amusing as Costantino and his travails are, co-screenwriter (with Doriana Leondeff)/director Silvio Soldini spends way too much time following the hapless lug so that we almost forget about Rosalba. Fernando’s ‘mystery’ family (his daughter-in-law and grandson) are
Robin says: “I had high hopes for AMERICA’S SWEETHEARTS what with its stellar ensemble cast and all. Julia Roberts is actually developing into an actor and does a good job as the self-deprecating, loyal sister to the star. She maintains
Diane says: “What has happened to Brad Anderson? NEXT STOP, WONDERLAND was such a lovely and original film. Now we get his hackneyed attempt at horror in SESSION 9, and Stephen B. (sorry to steal your lines) reports that his
Diane says: “POLLOCK, directed by and starring Ed Harris, is worthwhile for the educational aspect and the acting. Contrary to reviews that say it does not bend to the cliches of presenting an artist’s life, I’d say it is cliche