Chris says: “An Irish indie centered on seven linked tales at a train station lost-and-found office that’s as charming as it is slight (which, alas, dampens the charm somewhat.) The interconnected story structure has been executed far more swiftly elsewhere,
Michael says: “Not being a fan of two fo Christophe Honore’s earlier films, I decided to give SORRY ANGEL a shot because what turned me off in those earlier films was his star and “muse”, Louis Garrel, and the director
Thom says: “I had high expectations from this film as director Webb was responsible for one of the better indie films of 2009 in (500) DAYS OF SUMMER, & the film has an outstanding cast but the mediocre script &
Thom says: “Here’s another director that I’ve seen all of his mediocre films: CRANK, CRANK: HIGH VOLTAGE, GAMER, & GHOST RIDER: SPIRIT OF VENGEANCE & yet I still went out on a limb to see this film because it looked
Brett says: “GOMORRAH director Matteo Garone offers his latest film in another atmospheric urban wilderness with a sympathetic dog groomer named Marcello as the driving force of the film. In this work, this small, frail man earns the audience’s trust and
Chris says: “Conceived with Peter Sarsgaard in mind, this indie where he portrays a cerebral NYC ‘house tuner’ (calibrating frequencies in clients’ homes in order to effect their moods) begins strongly and ends memorably–shame about what comes in between, however,
Michael says: “I love seeing films about cultures I know little about. I love learning about different ways of life in a way that seems non-judgmental and authentic. ORAY, is a German film, about a Turkish, Muslim man, an ex-convict,
Chris says: “Glenn Close is terrific here, acting without quite ACTING! and if this is what finally gets her an Academy Award, so be it. As for the rest of the film, the scene where her younger self describes a
Jason says: “I think that I vaguely recall the ‘Phoenix Lights’ that give this film its name; at least, there was a feeling of familiarity when the footage appeared which demonstrates that filmmaker Keith Arem has either done a nice
Jason says: “Believe it or not, this is not the first Chinese fantasy sequel I’ve seen where not having seen the predecessor was no big deal because it starts with ‘500 years have passed…’ This is a good thing, because