Michael says: “‘Well, that was something.’ “My words about SOUTHLAND TALES spoken to my Chlotrudis colleagues as we left the theatre. “‘Well, we saw it.’ “My final words about SOUTHLAND TALES as we broke up for the evening. “Chlotrudis members
Michael says: “The Provincetown International Film Festival kicked off with a misstep with this cloying, clumsily scripted film about an Indian family living in Scotland. Nina returns to Glasgow from London for her father’s funeral after fleeing her family and
Bruce says: “MURDERERS (MEURTRIÈRES) is a pointless film – it’s not a character study, cautionary tale, or sociological study. It has been given the air of a mystery or possibly a thriller but it fall flat in those departments as
Bruce says: “As the camera pans over acts of violence, serene countrysides or samples of everyday life in Israel, a written paragraph prefaces each BLOOD AND TEARS chapter. Covering the battle between Israelis and Palestinians, starting with the Turkish and
Michael says: “There is a lovely sense of foreboding and mystery in INNOCENCE, but the failure of the film to deliver any sort of payoff make it one of the losers of the festival. Director Lucile Hadzihalilovic is the girlfriend
Bruce says: “Friends or acquaintances often groan when the topic of French cinema is raised. I’m mostly puzzled by anyone who categorically dismisses French cinema. GARDENS IN AUTUMN is a film which helps me understand that position. Director Iosseliani has
Bruce says: “Campaigning against the Shining Path terrorists, Alberto Fujimori abolished congress, and created a court system in which enemies of the state were tried and sentenced by hooded judges. In a matter of months Fujimori transformed Peru from a
Bruce says: “Although I did laugh several times at the campy one-liners that one would expect more from a US sitcom than an Icelandic feature film, ELEVEN MEN OUT is just not very good. Ottar (Björn Hlynur Haraldsson) is a
Michael says: “Actor Craig Chester (GRIEF, SWOON, I SHOT ANDY WARHOL) wrote and directed his first feature film, a broad romantic comedy where the two protagonists are both men. What could have been sweet, and comfortably mainstream like the films
Michael says: “SKY BLUE is a bit of South Korean anime that fails (for the most part) visually, and fails bigtime in terms of story. It’s funny that I wasn’t expecting an anime film to fall prey to the utterly