Thom says: “Other than BOOGIE NIGHTS, which I loathed, I’ve been a fan of Paul Thomas Anderson films, although, truth-to-tell I’ve only given my highest rating to THERE WILL BE BLOOD. And there were really great parts of MAGNOLIA, PUNCH-DRUNK
Jason says: “I like to think I’m pretty generous to movies that aren’t very good, trying to be encouraging of what they do well and not allowing a bad two hours ofmake-believe to bring about real anger. I think I’ve
Jason says: “If the initials in S.I.N. THEORY stand for anything specific, I don’t believe it is revealed in the movie, which is too bad. They imply material that’s more salacious and exciting than what’s on screen, and the movie
Chris says: “ONLY GOD FORGIVES is similar to DRIVE, only without any redeemable characters, narrative momentum, or moral structure whatsoever. That may sound a little glib, but sadly, it’s not much of an exaggeration. Once again working with director Nicolas
Jason says: “There are times when I watch movies and it’s not the obviously bad science itself that bothers me so much as the ignorance about the people and processes involved. It’s not the only discipline filmmakers seem to not
Jason says: “I spent a lot of my time watching BLUE DREAM feeling like I didn’t know what was going on. That wasn’t strictly the case – I could certainly recognize what was happening in a given scene and could
Bruce says: “Director Ivana Mladenovic admits that the genesis of her film began as a narrative feature film crew got permission to film in a prison using inmates as actors. Although she did not go into detail, that venture fell
Jason says: “Ugh, what an unpleasant movie. Sure, it’s the sort of grittily flamboyant crime flick that has an audience, but it’s a hollow, mean-spirited thing that isn’t nearly clever or well executed enough to be worth it. “After serving
Bruce says: “A film such a BAM150 has no right to be in any film festival. It is a vanity project commissioned by Brooklyn Academy of Music (BAM) directors Karen Brooks Hopkins and Joseph Melillo, more propaganda than a work
Jason says: “ZENITH is a bad no-budget science fiction movie, but at least it’s considerate enough to place itself toward the end of the alphabet. After all, while it did somehow manage to get itself booked in a few theaters