Brett says: “Director Mike Mills is up to Mike Mills things once again with another A24 home-run in C’MON C’MON. Show up for the enthralling dialogue, stay for the emotional tug-of-wars (yes, plural), and leave with a lump in your
Thom says: “The presentation of this film was enticing and over her career director Ramsay has made the impressive RATCATCHER and WE NEED TO TALK ABOUT KEVIN, as well as the mediocre MORVERN CALLAR; moreover, the nearly always great performance
Thom says: “Other than BOOGIE NIGHTS, which I loathed, I’ve been a fan of Paul Thomas Anderson films, although, truth-to-tell I’ve only given my highest rating to THERE WILL BE BLOOD. And there were really great parts of MAGNOLIA, PUNCH-DRUNK
Jason says: “The first shot of THE IMMIGRANT- the Statue of Liberty seen from behind, through a brownish fog – is certainly the sort that let the audience know just what the next two hours have in store. Director James
Bruce says: “Much has been said about THE MASTER being a thinly disguised biopic of L. Ron Hubbard and the Church of Scientology. Hubbard may have been the inspiration for the film but THE MASTER is about cultism in general.
Thom says: “I don’t have a clue what to make of this. Joaquin Phoenix has long been a must-see for me. I probably came to know him because of my love for his brother River. And since he was supposedly
Peg says: “This odd, often bleak little film starring Joaquin Phoenix and Gwyneth Paltrow stumbles as it starts but eventually settles into an absorbing character driven drama. Not quite a love story, this is more a narrative of surviving a
Bruce says: “Were the acting not so good, my recommendation would be to not bother with this overwrought drama which is reminiscent of IN THE BEDROOM with its vengeful father and WE DON’T LIVE HERE ANYMORE and THE ICE STORM