Jason says: “There are bits of CHONGQING HOT POT that are clever, nifty, and well-executed enough that one almost wishes that filmmaker Yang Qing had a little bit more room to maneuver than he has in a contemporary Chinese crime
Jason says: “Maybe the best way to describe ZHONG KUI: SNOW GIRL AND THE DARK CRYSTAL (to give it the full name that appears on-screen) is to imagine if Ray Harryhausen had been born in China, making the sort of
Kyle says: “BENDS is the opening title of the seventh season of ContemporAsian screenings at the Museum of Modern Art in New York. Most films offer so little that it is tempting to go overboard in praising something as wonderful
Jason says: “Newcomers should not be too put-off by the fact that PAINTED SKIN: THE RESURRECTION has a subtitle or a roman numeral depending on whether the title is written in English or Chinese; the first text on the screen
Jason says: “Foreign movies often take a while to open in the United States for a number of reasons, and while the eight months since FLYING SWORDS OF DRAGON GATE (LEE MEN FEI JIA) opened in Hong Kong actually isn’t